Adele (b. 1997) is a classically trained composer, violinist, and performer from Tempe, Arizona. She currently attends the School of Music at Arizona State University as a senior honors student pursuing a Bachelor of Arts in Music.
She has actively practiced music for thirteen years, working and collaborating in the local community and abroad. She writes and performs in a wide range of genres including jazz, Irish folk, hip hop, funk, musical theater, and electronic music. A few of her artistic partners include composer Dr. Daniel Bernard Roumain, songwriter Gary Burr, and composer Paola Prestini.
In her first semester at university, Adele composed for and performed in her own solo show. Since then, she has completed several large projects, including a sound installation for the ASU art museum, three studio internships, performances in Nashville, directing two music videos, and premieres in Vienna and New York City.
Adele is interested in music supervision/editing for television, film scoring, performance, and working as a session musician.
FILM & TV SCORES
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THRIVE [FOR PREPARED ELECTRONICS AND EUPHONIUM*]
commissioned for David Gonzalez and the International Women’s Brass Conference, May 2019.
PRICE: $25 PDF (+$1.06 PAYPAL FEES)/$30 HARD COPY
*A TUBA PART IS AVAILABLE BY REQUEST.
This piece is a duet between prepared electronics and live euphonium. The electronic backtrack is a combination of voices, quotes, and a bass synthesizer. The work contains the voices of Michelle Obama, Janelle Monae, Frances McDormand, Dr. Christine Ford, my mother, my younger sister, and all the male politicians who wish to silence them. The euphonium is interacting with these voices, lamenting, praising, disgusted with what the backtrack contains.
I created this piece during the trial between Dr. Christine Ford and Brett Kavanaugh. I premiered this piece right after the controversial Alabama abortion ban.
The backtrack is best in stereo surround.
The score is in bass clef only.
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